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The Passion of The Christ

Release Date:
February 25, 2004
Studio: Newmarket Films
Director: Mel Gibson
Screenwriter: Ben Fitzgerald, Mel Gibson
Starring: James Caviezel, Monica Bellucci, Maia Morgenstern, Rosalinda
Celentano,
Genre: Drama
Rating: R (for graphic scenes of beatings and crucifixion violence)
Plot Summary:
"The Passion of The Christ" is a gospel inspired account of the last
twelve hours of Jesus of Nazareth's life, beginning on the evening of
the Passover after the last supper and ending in the tomb. We first
see Jesus (Jim Caviezel) in the
Garden
of
Gethsemane
bathed in a blue shadow under a full moon. As Jesus is praying for
what he’s about to go through, he’s also resisting Satan's (Rosalinda
Celentano) tormenting taunts and lies. Meanwhile, Judas (Luca Lionello),
one of his disciples, has gone to the temple priest Caiaphas (Mattia
Sbragia) and betrayed Jesus for thirty pieces of silver. Soon after
the temple guards swarm the garden, arrest Jesus and take him back to
Jerusalem
where Caiaphas and his followers conduct a mock trial, accusing Jesus
of blasphemy. As Jesus’ mother Mary (Maia Morgenstern), Mary
Magdalene (Monica Bellucci) and his disciples John (Hristo Jivkov) and
Peter (Francesco De Vito) helplessly observe the proceedings; Jesus is
spat upon and beaten, then sent to the Roman Governor Pontius Pilate (Hristo
Naumov Shopov). Pilate tries to avoid a political conflict by sending
Jesus to King Herod but when Herod finds no fault with Jesus and sends
him back, Pilate is then forced to deal with the situation. Despite
his wife’s warnings not to harm a holy man, Pilate is faced with
keeping peace with the religious leaders to avoid the wrath of
Rome.
He refuses to grant the crowds request for death and instead orders
Jesus to be severely punished “but not killed.” Jesus is turned over
to the Roman guards who disobey orders and nearly kill him, so Pilate
again offers the angry crowd a choice between setting a known murderer
named Barabbas free or condemning a man who has already endured
extreme punishment. The crowd chooses Barabbas and Pilate washes his
hands of the entire situation, ordering his men to do as the crowd
wishes. Caiaphas and his followers demand crucifixion so Jesus is
ordered to carry his cross through the streets of
Jerusalem
to
Golgotha
where he is then nailed to a cross between two thieves. In the midst
of agonizing pain and suffering, Jesus forgives those who have
persecuted him and ultimately carries out his message of love and
forgiveness with his last breath.
My disclaimer
I have to be honest; this is not a film I
can review objectively because I had the pleasure to be involved with
“The Passion” project since I first met with Mel Gibson at Icon in
September of 2002. I was asked to create a “behind the scenes”
special about “The Passion of the Christ” (which aired on PAX and TBN)
so I traveled to
Rome
and was on the set to observe what went on behind the scenes,
firsthand. Although I was present during the filming of several
scenes and even watched some of the dailies with Mel and his crew,
nothing, and I mean nothing could have prepared me for the film Gibson
ultimately created.
This is a “Jesus epic” that will be
remembered historically for many reasons. Not only has Gibson created
a masterpiece in filmmaking but the movie itself will influence the
world in many ways and for many reasons. It is already being viewed as
an evangelizing tool for Christians. And what about the way this film
has been talked about, praised, ridiculed, condemned and constantly in
the press for over a year before its release? “The Passion of
the Christ” is a cultural phenomenon and a publicist’s dream, unlike
anything
Hollywood
has ever seen or dealt with before. What began as a simple project
that Gibson called his “labor of love,” has grown to be bigger than
anything he (or anyone at Icon) ever dreamed it would be - and that’s
what
Hollywood
is afraid of. And let’s not forget the “God Factor.” Jesus is just
as much a controversial topic today as he was over 2,000 years ago.
Just as the world knew of him then, God is using Gibson’s film in a
creative and unusual way to make sure the world knows Him today.
My take
To write a
review of this film as entertainment seems somehow wrong or misplaced.
Unlike Gibson’s other films, this is not a “popcorn” movie meant to
“entertain.” Gibson underwent a spiritual journey almost thirteen
years ago that led him to a fuller understanding of what Christ must
have gone through on the cross and that’s when he became passionate
about “The Passion.” He began a quest to tell his version by avoiding
the entire story of Christ’s life (as many of the old Bible epics have
already done) and instead rendered a firsthand glimpse at the trial
and crucifixion of Jesus Christ, beginning in the garden of Gethsemane
and ending with his resurrection in the tomb. This is more of an
emotional journey than anything else. An experience designed to make
you feel as though you’re a witness to Christ’s remaining hours on
earth, when history was forever changed by His story.
Choosing who should play Jesus Christ could
have been a grueling process but for Gibson it was simple. There was
only one actor whom he considered for the role of Jesus and that was
Jim Caviezel. As Gibson puts it, “Jim has a glow about him, a
childlike quality, an innocence that was necessary for the role. He
simply IS Jesus.” Caviezel is nothing short of brilliant in this
film. If indeed
Hollywood
loves to give Oscars to actors who go through extreme physical
changes, bad makeup and are even more favored if they go through some
form of torture, then Caviezel definitely deserves an Oscar for his
performance. His ability to speak volumes with just one look, one
glance from those piercing blue eyes (which were changed to brown) is
a tribute to much more than just his gifted acting ability. Caviezel
put his heart and soul into this role - he became Jesus. He told me
there were times when, “something took over,” as he began to do
certain scenes, he knew it wasn’t his ability alone. Several times I
would watch Jim standing in chains or sitting with the crown of thorns
on his head, silently praying as they set up the next shot. He not
only stayed in character but spiritually he was constantly in tune
throughout the entire film, in every scene, day-in, day-out, and it
shows on screen. When he speaks in the Aramaic language, it’s as if we
get a glimpse of Christ himself, sharing the word of God. His scenes
with Morgenstern are real, emotional and captivating. Never before has
the relationship between Jesus and his mother been portrayed so real,
so personal, and so human. Caviezel told me that when he was cast for
the role of Jesus, he was 33 years old and in case you haven't
already realized it, his initials are JC.
Maia
Morgenstern is powerful as Mary. Her eyes cry out volumes even when
she says nothing - love, fear, faith, pain, the agony of watching your
son being tortured to death, grief upon holding his body after he’s
carried down from the cross - all with her eyes. One of the lighter
moments she has in the film, is when Mary calls Jesus to lunch while
he’s finishing a table. With his long hair pulled back and his bare
masculine carpenter arms showing the sweat of labor, Mary chides him
to wash his hands before coming in the house, so he playfully splashes
water on her then gives her a big hug. Morgenstern was almost 6 months
pregnant when she completed the role of Mary yet everyday, all day
long, she was devoted to every scene and then some. The woman is a
remarkable actress.
Monica
Bellucci is absolutely breathtaking as Mary Magdalene. The camera
loves her and as Gibson likes to tell the story, “I couldn’t make her
look bad.” Bellucci doesn’t have many lines but she doesn’t have to,
her beauty, her love and respect for Jesus are part of her character
and she simply glows. There’s a scene where Mary is mopping up the
blood of Jesus from the stones in the courtyard where he was beaten.
Mary reflects back to when she first met Jesus, reaching out her hand
to touch his foot (which is really Mel’s) and gazing into the eyes of
a man who just saved her from being stoned for adultery. I appreciate
the way he ended up creating that scene without dialogue, with just a
look, as he masterfully did in so much of this film. I had a chance to
speak with Mel about that scene and it is one of my favorites. Another
powerful scene is when Jesus is crucified and they flip the cross over
to bend the nails, only Mary Magdalene can see that the cross is
floating above ground so that Christ’s face never hits the dirt. It’s
a miraculous moment.
The opening
scene in the garden lays the spiritual foundation that takes place
throughout the entire story. It is from that beginning that we see the
warfare between the realms of light and dark - good and evil - Jesus
and Satan. It is here that Mel first uses his creative license with
the gospels by actually portraying Satan in physical form. Gibson
chose a female (Celentano) to play the role because he wanted an
androgynous look that included beautiful features with a shaved head,
no eyebrows and a man’s voice. It is likewise from this scene that we
get a glimpse of how maddening it must have been for Jesus to have
Satan constantly chiding him, berating him with lies and creating a
sort of psychological torture that no one else could see.
Another
brilliant move was Gibson’s choice to film the entire movie in Aramaic
using subtitles. This adds an authenticity to the setting and makes it
an international story the world can embrace. When Caviezel quotes
the scriptures Jesus spoke in those final hours, it’s as if the Bible
- the word of God, comes alive and we are listening to the Son of God.
Hearing a dead language that no one speaks, accompanied by subtitles
that end up being effortless to read, becomes a powerful tool that
helps the story - it makes you pay attention.
Through the
brutal flagellation scenes, the agonizing procession to the cross and
Christ’s painful crucifixion, the only moments of escape from the
insanity are through numerous flashback scenes appropriately woven
into the story. Mary sees Jesus fall with his cross so she runs to
him and holds his head in her hands, remembering the time she ran to
him when he was a little boy. Jesus looks into her eyes and says, “See
mother, behold I make all things new.” It is a pivotal scene in the
movie. While Jesus is being crucified we are shown the last supper,
bathed in golden lights with Jesus’ disciples lovingly by his side. As
he washes their feet and breaks the bread of communion saying “Do this
in remembrance of me,” the scene switches back to his body being
broken on the cross…and the symbolism is clear with every blow of the
hammer.
Since Gibson funded the film himself, he
used nothing but the best for his “labor of love”. His crew were
experts in their field and all lent a definite, refined, artistic edge
that has never been captured in other biblical movies. For his
Director of Photography Gibson chose Caleb Deschanel, a master with
color and light who can portray a scene as if it were a painting.
Gibson had previously worked with Deschanel in “The Patriot” and knew
he could take golden lights, dark earthen colors and a blue moonlit
garden, to create dramatic looks inspired by artists like Caravaggio
and others. To recreate the crucifixion scene Gibson wanted someplace
authentic looking so he chose a small 2000 year old town in southern
Italy
called
Matera.
The rest of the story was filmed outside of
Rome
at Cinecitta studios where an ancient
Jerusalem
of breathtaking biblical proportions was built to give an epic feel
with giant columns, flights of stoned steps, massive wooden doors and
weathered Roman emblems, creating the political and cultural climate
where Jesus spends his remaining hours of life.
The clothing,
beards, hairpieces, jewelry, etc., were all meticulously selected
because it was important for Gibson to have a realistic and authentic
feel to his story. The special effects (FX) were created by a team
from LA who did everything from special prosthetic noses for Caviezel,
to creating bloody scars and flesh that he would wear through most of
the film. Their crowning achievement was a mechanical Jesus (used for
scenes on the cross) with a chest and head that moved. They also had
the task of developing a unique way to film the crucifixion scene
where a spike (held by Gibson’s own hand) is shown going through the
hand of Jesus. One of the more unusual effects Gibson created is a
tear from God that falls from heaven (right after Jesus dies) and when
it hits the ground, it sets off an earthquake that destroys the
temple.
Final take
It goes
without saying that this movie will affect all who see it. No one
will walk away the same. Gibson has done what Gibson does best - used
his keen insight and instincts to portray the most dramatic event of
all time. He admits that he had a little help, “The Holy Ghost was
working through me on this film, and I was just directing traffic.”
He’s telling the truth. Some will be moved to tears, others will be
angry. Some will be awed by what Christ went through for every person
who watches this story, others will be disturbed by it. For some the
graphic flagellation scenes and crucifixion will be too much and too
hard to watch, many will cover their eyes, some will stare in
disbelief. Most will attempt to wrap their minds around Gibson’s
concept that any human could endure such an ordeal until the end, when
it’s clear that God was present all along. Most will be speechless but
all will have to process and absorb what that they have just witnessed
- the story demands it.
Should parents
take their children to see this movie? Gibson has said that he
doesn’t think this is a movie for kids under 12 and I agree. When
both men and women weep through a film and many can’t speak
afterwards, how much more do you think children will be emotionally
affected by this film? This is not a “must see” movie for kids nor is
it a “kid-friendly” Jesus movie. Your child will need to be able to
read subtitles fairly quickly and it would help to be familiar with
the account of Christ’s death. I think parents should see the movie
first, then according to your child’s maturity, prepare your child for
what they are about to see. Make sure your child is familiar with the
story of Jesus resurrection beyond the tomb because the film ends
inside the tomb which may be a little confusing for some.
This is an
international Jesus story that should appeal to people of all
nationalities. I asked Mel Gibson what he wanted people to walk away
with after seeing this movie and he said, “My movie has a tremendous
message of faith, hope, love, forgiveness and a message of tremendous
courage and sacrifice. My hope is that it will effect people on a very
profound level and somehow change them and that message is a pretty
good message to be pushing right now. There’s so much turmoil in the
world today, when the world is tried in this way people usually start
going back to something higher to fill a void in their souls,
particularly if the earth is crying out in pain from all the suffering
and fear that’s inflicted by war and hatred. For me, I don’t think
there’s a better message you could put out there than what’s in this
movie.”
When I came back from
Italy
in February of 2003, I wrote a story about my experience and closed it
with this quote, “Whether Hollywood likes it or not, The Passion
has all of the makings of a career milestone for Gibson and a
religious phenomenon for the rest of the world.” A little over a year
later, I'm proud to say I was right!
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